\\\ Analog Bass/Guitar Effects and DIY ///


Custom/Original Designs

JC Maillet (c) 1996-2009


Strip-Board Worksheet (300 dpi)


"Opto-Vibe" /// Super Wide-Range Univibe re-Design

(c) 2009

OptoVibe


"Little FET Booster" Amplifier Driver

(c) 2009


"360+" Bass Preamp/Fuzz System

(c) 1997/2009

*360+ Pro Units*


Univibe Maximizer

(c) 1996 - 2009

Univibe+


"Stereo-Vibe 480" (c) 2005

My first SV-proto


"Stereo-Vibe 45" (c) 2006

My second SV-proto


"Stereo Vibe" (c) 2007

8x opto-cell (2x4) op-amp Stereo Vibe-Phasor with accurate replication of Univibe Range and AC-Response

"StereoVibe" mp3

... listen to one channel only and compare against Univibe


"Range Mistress" (c) 2004

Range Master with tone control and parallel Bass boost channel


"SRV Special" (c) '98/'08

TS-808 clone/mods


"Triggered Swell" (c) 2006

Optical auto-Volume with dual FX-Loop mode


"Brownian Motion Filter" (c) 2006

Optical Glide-Sample-Hold

opto controlled multi-band State Variable filter with glide option and variable Q


"Unitrem" (c) 2006

designed/built 17-04-05

Univibe Oscillator crossed with jFET emulation of Fender VibroChamp bias modulator

"Unitrem" mp3


6-Band "Class A" Equalizer (c) 2006

ShinEi EQ with low-loss Gyrators


"Harmonic Multiplier"

(c) (4/'00) - (8/'01)

EMS based Multiplying Octaver


original "Nyquist Aliaser" Project (c) 2006

Variable Audio Range Sampler


MXR "Phase45" // Univibing Mods

Univibe Cap Ratios, Phase/Vibrato, LED monitor

Wide Speed Range (10/'03)

Uni-Phase45


Musitronic "Mutron-III"

Mods/Additions (c) '96 and '02

Mutron III++


MXR "DynaComp" Mods ('02)

Low Battery Mod


Electro-Harmonix "Small-Stone" Mods ('97)

Univibing Frequency Ratios // Cutting Bass Response

Small Stone


"Royal" Octaver Fuzz

Octave Tweaking Mods


SWR-Style Bass Comp/Limiter (c) 2005

SWR Style Bass Comp


PAIA "Infinity+"

Compressor Re-Design ('98)

Infinity++ Sustain Circuit


Dan Armstrong "Green Ringer"

Nulling Mod (10/'03)

Fund-a-Mental "Nulling" Mod


Craig Anderton's "Balanced Modulator"

Switch-able Lock and Tuning Range Mods ('97)

CA Ring-Mod Tweaks


The Sound of f(x)=|x|

Super Full-Wave Octaver


Ranger "Para-Exciter MkIII"

Clone ('98)

A synth-like wah when living in a volume pedal - variable-Q filter booster with adjustable gain with enough output for serious amplifier overloading ... I'm told Tony Iommi used one at some point ...


Jake Rothman's Pitch-Only Theremin ('99)

Line-Out Mod


Craig Anderton's "Bi-Filter Follower" (10/03)

Expanding on Mark Hammer's Mods


Vox "Suppa Tone Bender" Clone ('97)

VOX issued this circuit in 1974 - it had some connection with Steve Hackett ... Ultra-thick and compressed, this fuzz can produce a nice Brian May singing tone - similar to a BigMuff except for extra shunting diodes ... works well with standard parts ...

Vox Suppa Tone Bender Layout (36k GIF)


Yamaha "CH-10MII Chorus" - (c) 2002

This unit provides warm chorusing and good leslie simulation at mid speeds ... the LFO speed pot was intermittent so I epoxied a replacement outside on top and stuck a bigger knob for easy foot control ...

To extend the LFO range into high warble territory I short out the speed-limiting resistor - that's R62 33k connected in series with the 250k SPEED pot ... and to extend the depth of the effect a little I short out R65 470k - the resistor leading to the depth control ... two easy mods providing extended performance ...


Rocktron X100 Mods (c) 2006

Minor Mods



Roger Mayer's Axis Fuzz with switcheable BMP tone

opto-Limiter with Linear V-R converter

Joe Davisson's Antiquity on Ge PNP's

"Diva Crunch" /// My take on Doug Hammond's "Meteor"


Simple Audio Range Sine-wave Oscillator with Shape Control

(c) 2008

Uses common parts: Radio Shack 272-1139 (1.5v 25mA) or 272-1140 (6v 25mA) bulb, a 1k trimmer, any standard op-amp, two 0.22uF Ceramic caps, a dual 50k LIN pot and two 9volt batteries - you may want to stick a 5k or 10k output volume pot on there too, and if you're gonna box this thing up may as well bring the Shape control trimmer on top ... tuning the Shape control allows constant amplitude and cleaner sine wave, perhaps at the expense of lock-in times as the oscillator becomes glitchy when sweeping the FREQ pot ... offsetting allows dirty waveform with more grip, and better lock-in - no glitching ... Note: a little bit of RF can creep into the circuit because by lack of decoupling on the supply rails - to me it's more interesting this way - but it's easy to fix if you don't want that, simply stick capacitance (10uF electro and 0.1uF ceramic in parallel) from each op-amp supply pin to gnd - that's 4 caps in all ... simillar in design to the oscillator that made Hewlett&Packard famous and rich this is a great little high performer employing very few parts


"MOJO" class-A Exaggerator

(c) 2008

*dynamic booster/compressor* - TBA


"Super-MOJO II"

(c) 2008

*linear dynamic booster/feedbacker* - TBA


"Envelope Locked Loop" (c) 2007

Linear Dynamic-Locked-Loop - A Brief Description ...


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